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Clay Empires

by James Reynold

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1.
I drove south where all the dirt was foreign and the old jeans, green dreams, patchy outlines out there in the sun came undone. The little that I had out there was gone. I think less without a covered chest. All the simple signals come into fruition in the cold. It'll take control. Settle without knowing where you're going. Where you going? Freezing seas and as the mornings foggy every blue gum takes a different imitation in the dawn. Nestled under falls, Huon pine and mountain ashes grow. Ancient landscapes held in portraits, laying dormant living in the focus and the tone. Day is at a close. As the sky is changing I suppose I'll be going.
2.
Been trying for something new, been walking with old bruises. On and on and on. I’m scratching at the cards, the faces won’t come off. Faded, worn out suits. You’re watching from the car, I’m diamond mining junkyards. Maps have been redrawn. We’re sleeping on the rocks, I’m counting days with chalk. Etching into stone. You integrate the loss, I stand aside and watch. Stir and sigh exhausted. You know how you’re to grieve, you’re cut from the new century. But we’re all wrong sometimes. I sleep under the stars, I sleep on their verandah. Curling up at night. I wanna capture art, manufacture sparks. Clinging on to fire. A dragonfly is near, it crashes where you’re seated. Sharing the same space.
3.
Big Forest 03:25
Big forest, I never want to leave you. Some day I’ll grow wings and then I’ll see. Can my labour count for countless acres? I’d do it every time. Spring met by rain, cavernous change. Old mountains grey brim with life again. Caught up in a daze, the morning haze. My soul was there, I left it in the shade. Can my labour count for countless hours? I’ve done it every time.
4.
Nailed to a tree, a sign that reads For Free. You wake and walk the cold wood boards, and settle down among diminished chords. Rain crumbling down. This morning I think I may have found two endangered birds. How long do you think they’re going to last? How far do you think they’re on their path? I exist in two stark places. How on earth are we supposed to face it? The cold and rigid pride. We all know the heart of hearts must die. We all know the rule we can’t abide, even though the sentiment seems fine. Desolated eyes scan the floor for signs. Walls around us sigh. It’s a cloudy day outside.
5.
Curtains in our room gently sigh as we lay there on our sides. The north, south, east and rest of our life passes by. Ill take the time to take my time. When the sun is ground the moon is sky. Ah the naked spring, the well-dressed winters. Autumn trees have splintered. They’re making me wonder about the summer passing by. Brick, steel and wood lines across the acres. All that I’ve built is lines across the paper. Bountiful creators swinging their old hammers, sewing incarnations deep into the garden as it dies, passing by. Here under the light of the warm December dry, blowing by the months as a mountain valley fire tangles in the sights. As it burns and it renews, it’ll pass us by. It all starts and ends. It starts and ends with you.
6.
Clay Empires 03:23
Slow pace down here ‘round my place. A showers embrace. My empire of clay. Alright. It’s alright when you’re near. The birds sing loud and clear. Forlorn, grapevine frontier. I’m trying to do what’s right, but I don’t know what that is. My dog kept me company again, and I think that he knew what it meant. My friends and I try really hard. What we own, it ain’t all that we got. I got dressed and then I went for a walk.

about

“Clay Empires” was brought to life between December 2022 and May 2023, with the exception of “Big Forest” which came together in 2020.

I spent the last four years trying to distance myself from a lot of the music I’ve written. In hindsight, this mentality made it difficult to create anything new. Making anything was close to impossible for a few years there.

Around September 2022, Joanna and I moved away for a chapter change. Somewhere in that volatile transition, everything opened up again. I went from barely scraping anything together for four years, to penning near a dozen tracks between October and December of 2022.

It was during those explosive few months that the final batch of songs for “Clay Empires” were written.

In the time that followed to May 2023, each song was painstakingly pieced together in my studio and lovingly mixed with everything I have.

I’m so grateful that this music exists. Making this record has been healing. The process changed how I look at myself and taught me to value my god given creativity again.

I hope that a sense of inevitability and acceptance is felt when you listen.

My love and gratitude extends to all who were involved, or in the orbit of, “Clay Empires”.

credits

released March 29, 2024

Engineered, Produced and Mixed by James Reynold from April to November 2020, and December 2022 to May 2023
Mastered by Joshua Bartel at Viking Lounge Mastering
Cover Photography by Jarrod Moore Photography
Additional production and mixing on Big Forest from Darcy Long
Additional engineering on Clay Empires from Cormac Grant

Piano from Luke Costello
Bass on Foreign Soils and Scratching At The Cards from Aaron White
Bass on Heart Of Hearts from Brandon Yarnold
Additional Vocals on Heart Of Hearts from Megan Galloway
Mountain Dulcimer on Big Forest from Gabrielle Newland
All remaining instrumentation by James Reynold

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James Reynold Newcastle, Australia

Peripheral Songs from the Hunter Valley, Australia.

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